American Stories: Paintings of Everyday Life, 1765–1915

Resources like Google Images and the Met’s Collection Database provide instant access to images of a vast array of objects. But before photography—not to mention the Internet—audiences relied on prints to see images of contemporary and historical works of art. In fact, many of the paintings in American Stories also exist as prints, sometimes in thousands of impressions. In today’s post, I’ll consider how some of the works in the exhibition entered into the broader consciousness through a variety of printed forms. Read more »

In recent weeks, many PBS stations aired Ken Burns’s latest film, a six-part series called The National Parks: America’s Best Idea. The documentary chronicles the rise of the park concept and the often dramatic struggles to preserve—for the benefit and enjoyment of the people—some of the country’s most spectacular scenery. The National Parks devotes significant attention to the ways in which both naturalists and ordinary people have responded to nature and the parks over time, which inspired me to think about the sizable group of paintings in American Stories that feature figures in landscape settings. In fact, I was struck by how much the paintings resonate with the same ideas about the American wilderness that are brought out in the documentary. Read more »

In honor of Election Day yesterday, I want to dedicate this week’s post to a discussion of George Caleb Bingham’s painting The County Election, which is included in “Stories for the Public, 1830–1860,” the second chronological section of American Stories: Read more »

American Stories is the product of several years of preparation, during which the curators planned the exhibition’s scope and narrative, negotiated loans and decided which works from the Met’s collection to include, wrote catalogue essays, and envisioned—at least generally—the arrangement of paintings in the galleries. The works are presented in four chronological groups, allowing visitors to observe the development of painting styles and story-telling devices over time, from portraits of the era of the Revolution to Ashcan pictures of the early twentieth century. Within each section, paintings appear in pairs or groups that encourage visitors to discover their shared themes. Read more »