How do artists depict art? It’s a fascinating question, and in today’s post I’d like to consider a few examples of paintings within paintings in American Stories. How are the figures depicted in relation to works of art, and how do the depicted works themselves function within the overall narratives? There are many examples in the exhibition’s more than one hundred iconic paintings, but let’s start with depictions of art in museums: Read more »
In recent weeks, many PBS stations aired Ken Burns’s latest film, a six-part series called The National Parks: America’s Best Idea. The documentary chronicles the rise of the park concept and the often dramatic struggles to preserve—for the benefit and enjoyment of the people—some of the country’s most spectacular scenery. The National Parks devotes significant attention to the ways in which both naturalists and ordinary people have responded to nature and the parks over time, which inspired me to think about the sizable group of paintings in American Stories that feature figures in landscape settings. In fact, I was struck by how much the paintings resonate with the same ideas about the American wilderness that are brought out in the documentary. Read more »
With Thanksgiving approaching, I want to dedicate this week’s post to paintings in the exhibition that feature or reference food and drink. In some examples, food appears as a symbolic element, such as in the portrait of Benjamin and Eleanor Ridgely Laming—discussed in “Old Friends in a New Light”—where the peaches resting on Mrs. Laming’s lap suggest fecundity and fertility. The portrait of Paul Revere by John Singleton Copley also falls into this category, as the teapot alludes to contemporary political anxieties over the Townshend Acts and the tax on tea. Read more »
Fall is an ideal time for American sports fans, as professional baseball, basketball, football, and hockey seasons overlap. It’s no secret that Americans love sports, and artists are no exception. American Stories features a number of iconic paintings that depict sports and games, including Thomas Eakins’s The Champion Single Sculls (Max Schmitt in a Single Scull) and Winslow Homer’s view of encamped Union soldiers playing a game of quoits, or horseshoes (Pitching Quoits). Read more »
As a research assistant in the Met’s Department of American Paintings and Sculpture, I spend much of my time working with details. I check facts, organize and record information in our files and collections database, proofread written materials, and perform a host of other nitty-gritty tasks related to our projects. Read more »
