The Medieval Garden Enclosed

Left: Angels offer a basket of jasmine and roses to the Madonna and Child. Right: Detail of a basket of jasmine flowers and single-petaled white roses.

Jasmine’s significance as a symbolic flower blossoms in the art of the Italian Renaissance, where it appears as a symbol of divine love and heavenly happiness.  In combination with roses and lilies, which have a much longer iconographic history in Western art, it often appears in representations of the Madonna and Child.  Attendant angels offer jasmine to the infant Christ, or are wreathed with crowns of jasmine themselves. (Mirella D’Ancona Levi, The Garden of the Renaissance:  Botanical Symbolism in Italian Painting, 1977.)

Although it was grown in the Islamic gardens of southern Europe as early as the twelfth century, jasmine was not established in northern European gardens until the close of the Middle Ages.  Jasmine and roses scented the garden walks of the mid-14th century villa (believed to be the Villa Palmieri, two miles southeast of Florence) described by Bocaccio in the Decameron, but the earliest conclusive proof of jasmine’s presence in France is an illuminated border produced by Jean Bourdichon for the Great Hours of Anne of Brittany, c. 1501-1507. (John Harvey, Medieval Gardens, 1981.) Jasmine is intensively cultivated to this day at Grasse, which has been the center of the French fragrance industry since the Middle Ages. The English herbalist William Turner reported that jasmine grew abundantly in gardens around London by 1548. Read more »

The potted jasmines that perfume the gardens, and make a paradise of Trie Cloister, are in full flush and will flower for many weeks to come. The jasmines sold as house plants by nurseries and garden centers in the Northeast are often not the true or poet’s jasmine, Jasminum officinale, but a more frost-tender species, Jasminum polyanthum. Sometimes called winter jasmine, it is very heavily scented, but not so sweetly fragrant as the poet’s jasmine.

Jasminum officinale has been at home in a sheltered, sunny position in the bed under the parapet wall in Bonnefont Garden and has wintered over there for some years. The plants grown in terra rossa pots are the same species, but are a distinct form, J. officinale forma affine.

The color of the buds on these beautiful plants is a deep pink, although the flowers, slightly larger than the species, open pure white.  The fragrance is delightful even during the day. (Jasmines are most fragrant in the evening. ) Long-prized for its scent, jasmine is still grown in great quantities at Grasse, which was already a center for perfumery in the Middle Ages.

Native to the Himalayas of western China and introduced into European gardens from the East, jasmine was a relative latecomer to those regions not in close contact with the Arab world.  Read more »

Since we have received appreciations from so many thistle lovers, I thought I would finish out the series with the carline thistles, the last thistles in our medieval plant collection to bloom. Unlike other thistles, their flowers have a daisy form consisting of a disk with rayed petals. They are dry flowers of the “ever-lasting” type, sometimes described as straw flowers. The carline thistles are plants of poor, dry soils. The USDA lists the common carline thistle, Carlina vulgaris, as an invasive weed reported in New York and New Jersey, but no other state, although I have never observed them in either. Has anyone seen it in their locale? (The USDA site notes that it is not necessarily the case that a plant is established only in the states indicated by shading on their map. It may well grow elsewhere, but its presence has not been reported to the USDA.)

The perennial stemless species, Carlina acaulis, native to Europe, strongly resembles the closely related Eurasian biennial Carlina vulgaris, except that the rosette of spiny leaves lies close to the ground, while the common carline thistle has a short stem. The leaves of C. acaulis are also longer than those of C. vulgaris. Read more »

Left: Silybum marianum, the Marian thistle, is also known as milk thistle, because of the milky-white streaks on the spiny leaves. Right: The thistle appears outside and below the enclosure of the captive Unicorn, near the Madonna lily (Lilium candidum), another plant associated with the Virgin. Visit the Collection Database to see the detail in context and learn more about The Unicorn in Captivity.

While thistles were a thorn in the farmer’s side, then as now, virtually all plants were accorded medicinal value in the Middle Ages. Milk thistle (Silybum marianum ) was eaten as a vegetable, and is grown in a bed devoted to pottage plants here at The Cloisters, but it has a rightful place in the medicinal collection as well. Read more »

The most imposing of the several thistles we cultivate at The Cloisters, the stately cotton thistle has a presence that appeals to modern sensibilities. The silvery-white leaves are deeply cut and very handsome: the species name acanthium denotes their resemblance to the foliage of the acanthus. Some value cotton thistle as an ornamental in contemporary gardens, although others consider Onorpordum acanthium to be a weed. (A weed is a plant you don’t want, while an herb is a plant with a use. Many of the plants we grow in the gardens of The Cloisters are considered weeds in our time and place, but were herbs in the Middle Ages.) Once the purplish-pink flowers of the cotton thistle have withered, it is important to remove the heads so that the many seeds do not disperse to the four winds and colonize the world. Read more »

Above: Lavandin (Lavandula x intermedia) flowering in Cuxa Garden.

Lavenders in The Middle Ages

Lavender (Lavandula angustifolia ssp. angustifolia) was used to scent linen and to keep moths and insects from woolens, as it still is. According to the fifteenth-century herbal Hortus Sanitatis, or the Garden of Health, this virtue of protecting clothing from vermin endeared lavender to the Mother of God, who also loved the herb as a preserver of chastity: “If the head is sprinkled with lavender water it will make that person chaste so long as he bears it upon him.” (Margaret Freeman, Herbs for the Medieval Household, 1943.)

Lavender had a number of medicinal applications as well as household uses, and could be employed against pains in the heart, fainting spells, and sleeplessness; it was applied to the forehead for headache and included in antidotes, such as a plaster for scorpion bites. It was used internally as well as externally, and a decoction was drunk for epilepsy and kidney ailments and as a preventative for apoplexy. (Frank Anderson, German Book Illustration through 1500: Herbals through 1500, 1983-4.) Read more »