The Medieval Garden Enclosed

Between the level turf and the herbs let there be a higher piece of turf made in the fashion of a seat, suitable for flowers and amenities; the grass in the sun???s path should be planted with trees or vines, whose branches will protect the turf with shade and cast a pleasant refreshing shadow.

???Book VIII, Chapter I: “On small gardens of herbs.” Piero de’ Crescenzi, Liber ruralium commodorum (1305-09). (See Catena, the Bard Graduate Center???s Digital Archive of Historic Gardens and Landscapes for more information.)

Above: Honor Making a Chaplet of Roses, ca. 1425???1450. South Netherlandish. Wool warp, wool wefts; 93 x 108 in. (236.2 x 274.3 cm). The Metropolitan Museum of Art, New York, The Cloisters Collection, 1959 (59.85). See the Collection Database to learn more about this work of art.

Turf benches were among the most distinctive features of medieval gardens, and are depicted in many paintings and tapestries. Such benches may be rectangular, circular, L-shaped, or U-shaped; the U-shaped type is known as an exedra. Regardless of their shape, the benches were usually constructed with low-walled frames made out of brick, wood, stone, or wattle (woven willow). The frames were then filled with soil and the surfaces were topped with turf. Turf seats were placed in the middle of the garden or against one of its walls, and were sometimes incorporated into the enclosure. Arbors or trellises were sometimes built into the seat to provide shade and shelter, while circular benches were constructed around single trees. Read more »

Above, from left to right: Detail from The Annunciation (17.190.7); Detail from The Unicorn in Captivity (37.80.6); Trie Cloister Garden in bloom.

???fruit trees that grow easily, such as cherries and apples, should be planted in place of walls; or, what is better, willows or elms or birch trees should be planted there, and their growth should be controlled for several years, both by grafting and by stakes, poles, and ties, so that walls and a roof might be formed from them.

???Book III: “On the Gardens of Kings and other Illustrious Lords.” Piero de’ Crescenzi, Liber ruralium commodorum (1305-09). (See Catena, the Bard Graduate Center’s Digital Archive of Historic Gardens and Landscapes for more information.)

In my undergraduate studies in landscape and architecture, I examined how the natural landscape is used to determine designs for parks, gardens, and public spaces. I took part in several design processes, which included research on site analysis, interviewing potential patrons of public spaces, building models of future designs, and using plants to blend artistic design with nature. I learned to look at the land as a palimpsest rather than a blank slate, and to examine its many layers of use throughout history, understanding that context is an important influence on new designs. Now, as the new assistant horticulturist here at The Cloisters, I’ve found more levels of meaning to my studies, and am inspired to think about design issues from a landscape historian’s perspective. Read more »