The forget-me-not’s associations with love and remembrance date to the Middle Ages, and were expressed in both the Old French and Middle High German names for this pretty little flower. Left: a pot of forget-me-nots on the parapet in Bonnefont garden. Photograph by Carly Still; Right: a young woman making a chaplet of forget-me-nots on the reverse of a portrait of a young man painted by Han Suess von Kulmbach. The legend on the banderole says “I bind with forget-me-nots.” See Collections for more information about this work of art.
A medieval symbol of love and remembrance that still decorated many a Victorian valentine, the forget-me-not (Myosotis scorpioides) was already known as ne m’oubliez mye in Old French and as vergiz min niht in Middle High German. The etymological and iconographic evidence for the forget-me-not’s medieval significance is ample, but the frequently repeated story of a German knight who tossed the forget-me-nots he had picked for his lady to her as he drowned, imploring her to remember him, is of the “as legend has it” variety. Margaret Freeman, who cites the use of forget-me-not as a token of steadfastness by several fifteenth-century German love poets, speculates that the color blue, associated with fidelity in the Middle Ages, may have contributed to the flower’s meaning.