The Medieval Garden Enclosed

The blue-green fronds of rue were admired for their beauty in the Middle Ages, and the intensely aromatic leaves were prized as a condiment, a medicament, and an amulet.?? Photograph by Carly Still

Here is a shadowed grove which takes its color
From the miniature forest of glaucous rue.
Through its small leaves and short umbels which rise
Like clusters of spears it sends the wind???s breath
And the sun’s rays down to its roots below.
Touch it but gently and it yields a heavy
Fragrance. Many a healing power it has ???
Especially, they say, to combat
Hidden toxin and to expel from the bowels
The invading forces of noxious poison.

???Hortulus, Walahfrid Strabo, translated by Raef Payne

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Both edible and medicinal plants were classified by their qualities in the Middle Ages. A given plant might be heating, cooling, moistening, or drying in its action on human bodies; the intensity of this action was expressed in degrees. An herb or foodstuff that was a little cooling was “cold in the first degree,” while a very cooling plant was classed as “cold in the fourth degree.” Above, left: Strawberry (Fragaria vesca) was a mildly cooling fruit, being cold and moist in the first degree. Pear (Pyrus communis) was more refreshing, being cold in the second degree and moist in the first.

The medicinal model inherited by the Middle Ages, based largely on humoral theory, was essentially a “cure by contraries” rooted in the idea that illness was the result of an imbalance of the humors???blood, choler, bile, and phlegm???within an individual. Plants and other substances were either warming, cooling, moistening, or drying in their action on human bodies, which were sanguine, phlegmatic, melancholic, or choleric in complexion. Read more »

The mandrake above, which flowered in March, now bears a bumper crop of no less than twenty fruits, the largest number we’ve ever seen on a single plant here in Bonnefont garden. The fruits do not always ripen fully for us.?? Photograph by Carly Still

The mandrakes give a smell, and at our gates are all manner of pleasant fruits, new and old, which I have laid up for thee, O my beloved.

???Song of Solomon, 7:13

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The trees went to anoint a king over them: and they said to the olive tree: Reign thou over us
And it answered: Can I leave my fatness, which both gods and men make use of, to come to be promoted among the trees?

???Judges 9: 8-9, Douay-Rheims Bible

Olive oil provided fuel for sanctuary lamps throughout the Mediterranean world in antiquity and the Middle Ages, as well as holy oils for religious purposes. Above, left: A menorah flanked by two olive trees, as depicted in the Cervera Bible, recently on view at the Main Building. The brimming vessels?? used to fill the lamp appear at the top of the menorah. Right: A fifth-century standing lamp decorated with a cross; bronze lamps of this type were common in the early Byzantine world.

The olive was held to be the first of trees in both classical and biblical antiquity, prized above even the grapevine and the fig. A gift of the goddess Athena, the sacred olive symbolized the arts of peace and prosperity; the ruthless destruction of an enemy’s olive groves in wartime was held to be sacrilegious act. The Roman natural historian Pliny, writing in the first century A.D., attests that Athena’s olive was still venerated on the Athenian acropolis in his day (Historia naturalis, XVI 239???40). Although slow to bear, the tree is very long lived, surviving for hundreds of years. (The SpiceLines blog features an illustrated post about a Spanish olive estimated to be eighteen hundred years old.)

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The sweet-smelling, short-stemmed garden violet (Viola odorata) blooms from late March into April. Prized in medieval pleasure gardens for its color and scent, this violet was also at home in kitchen and physic gardens. Photograph by Corey Eilhardt

Native to woodland margins and damp and shady places throughout Europe, the early blooming Viola odorata was prized for its fragrance as well as its rich purple color. The sweet violet is included in Albertus Magnus’ list of desirable flowers for the pleasure garden, along with the lily and the rose. These three flowers are often linked symbolically as well as horticulturally in medieval sources, as flowers of Paradise and as emblems of the Virgin???the low-growing but beautiful and sweet-scented violet was equated with Mary’s humility. Read more »

Above: Both bitter and sweet oranges were introduced into Europe from Asia, but the bitter species preceded the sweet species by??five centuries. The bitter Citrus aurantium var. myrtifolia, a sport, or spontaneous mutation, of the medieval species suitable for pot culture, overwinters on the sunny side of the Cuxa Cloister arcade. The fruit of Citrus aurantium is economically important as a flavoring, although it is too bitter to eat out of hand. The sweet orange, Citrus sinensis, depicted in The Unicorn is Found, would have been introduced only about fifty years before the tapestry was designed.

The bitter orange, Citrus aurantium, spread from its native China to India in ancient times. The orange is mentioned in an early Ayurvedic medical text, Charaka Samhita. According to food historian Alan Davidson, the Sanskrit “naranga” became naranj in Arabic, narantsion in post-classical Greek, and aurantium in Late Latin. Albertus Magnus, the first medieval writer to describe the bitter orange, called the fruit “arangus,” from which the Italian arancia and the French and English “orange” all derive. Read more »