The Medieval Garden Enclosed

Clusters of waxy white orange blossom produce the distinctive and delicious scent that now perfumes the arcades of Cuxa Cloister. The bitter oranges that winter over indoors at The Cloisters are in their second week of bloom. Photograph by Corey Eilhardt

When distilled, the fragrant flowers of the bitter orange yield an essential oil that rises to the top of the vessel. The water that remains once the oil has been drawn off is known as orange flower water. This water has long been used in Middle Eastern cuisines, to perfume sugar syrups used in sweets and pastries, and to flavor beverages. Read more »

Above, from left to right: common myrtle is grown in pots at The Cloisters and brought indoors before frost; detail of the ivory-white blossoms of Myrtus communis; detail of the blue-black fruits of the common myrtle.

In myrtle shades oft sings the happy swain,
In myrtle shades despairing ghost complain.
The myrtle crowns the happy lovers??? heads,
Th??? unhappy lovers’ graves the myrtle spreads.

???Verses Written at The Request of a Gentleman to whom a Lady had Given a Sprig of Myrtle, by Samuel Johnson

This eighteenth-century verse is a deft summation of many centuries of the myrtle???s association with love, lovers, and the goddess of love. Read more »

Left: Angels offer a basket of jasmine and roses to the??Madonna and Child; right: detail of a basket of jasmine flowers and single-petaled white roses.

Jasmine’s significance as a symbolic flower blossoms in the art of the Italian Renaissance, where it appears as a symbol of divine love and heavenly happiness.?? In combination with roses and lilies, which have a much longer iconographic history in Western art, it often appears in representations of the Madonna and Child.?? Attendant angels offer jasmine to the infant Christ, or are wreathed with crowns of jasmine themselves. (Mirella D’Ancona Levi, The Garden of the Renaissance:?? Botanical Symbolism in Italian Painting, 1977.)

Although it was grown in the Islamic gardens of southern Europe as early as the twelfth century, jasmine was not established in northern European gardens until the close of the Middle Ages.?? Jasmine and roses scented the garden walks of the mid-fourteenth-century villa (believed to be the Villa Palmieri, two miles southeast of Florence) described by Bocaccio in the Decameron, but the earliest conclusive proof of jasmine’s presence in France is an illuminated border produced by Jean Bourdichon for the Great Hours of Anne of Brittany, c. 1501???1507. (John Harvey, Medieval Gardens, 1981.) Jasmine is intensively cultivated to this day at Grasse, which has been the center of the French fragrance industry since the Middle Ages. The English herbalist William Turner reported that jasmine grew abundantly in gardens around London by 1548. Read more »